"ୟାଓଇ" ପୃଷ୍ଠାର ସଂସ୍କରଣଗୁଡ଼ିକ ମଧ୍ୟରେ ତଫାତ
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ଟ୍ୟାଗସବୁ: ମୋବାଇଲ ସମ୍ପାଦନା ମୋବାଇଲ ୱେବ ବଦଳ |
No edit summary ଟ୍ୟାଗସବୁ: ମୋବାଇଲ ସମ୍ପାଦନା ମୋବାଇଲ ୱେବ ବଦଳ |
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୫୭ କ ଧାଡ଼ି:
କାରୋଲା ବୌଏରଙ୍କ ମଦରେ ଉପର ବର୍ଣ୍ଣିତ [[ବଚ୍ଚ୍-ଫେମେ]] ସମ୍ପର୍କ ୧୯୯୯ର ପ୍ରକାଶିତ ବ୍ଯବସାୟିକ କାହାଣୀଗୁଡ଼ିକରେ ଅତି ଆବଶ୍ୟକ ହୋଇସାରିଥିଲା ।<ref name="Bauer p.82">{{cite book|last1=Bauer|first1=Carola|title=Naughty girls and gay male romance/porn : slash fiction, boys' love manga, and other works by Female "Cross-Voyeurs" in the U.S. Academic Discourses|date=2013|publisher=Anchor Academic Publishing|location=[S.l.]|isbn=978-3954890019|page=82}}</ref> ମ୍ଯାକ୍କଲେଲାଣ୍ଡଙ୍କ ମତରେ ଲେଖକମାନେ ସେମେ ଓ ଉକେ ମଧ୍ଯରେ ଥିବା ଭାବପ୍ରବଣତାକୁ ପରଖିବାକୁ ଚାହୁଁଛନ୍ତି ନା କି ଏହାର ବିରୋଧ କରିବାକୁ ।<ref name="WorldofYaoi">McLelland, Mark. [http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1152&context=artspapers The World of Yaoi: The Internet, Censorship and the Global "Boys' Love" Fandom] {{Webarchive|url=https://web.archive.org/web/20080719063036/http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1152&context=artspapers |date=19 July 2008 }} ''[[The Australian Feminist Law Journal]]'', 2005.</ref> ରୋଲ ବଦଳିବାର ସମ୍ଭାବନା, ଚରିତ୍ରମାନଙ୍କ ମଧ୍ଯରେ ଗେଲ ତଥା ଯୌନ ଉତ୍ସୁକତାକୁ ଜନ୍ମ ଦିଏ ।<ref name="Wood-06">{{cite journal | last1 = Wood | first1 = Andrea | year = 2006 | title = Straight" Women, Queer Texts: Boy-Love Manga and the Rise of a Global Counterpublic | url = | journal = [[WSQ: Women's Studies Quarterly]] | volume = 34 | issue = 1/2| pages = 394–414}}</ref> ବେଳେବେଳେ ଯୌନାନୁଗ୍ରହୀ ଚରିତ୍ରଟି ମଧ୍ଯ ସମ୍ବନ୍ଧରେ ସକ୍ରିୟ ଭୂମିକା ଗ୍ରହଣ କରେ {{refn|ଏହି ଚରିତ୍ରକୁ "ଓସୋଇ ଉକେ" (ଆକ୍ରାମକ ଉକେ) କୁହାଯାଏ । ଏହାକୁ ସାଧାରଣତଃ ଏକ "ହେତାରେ ସେମେ" (ଡରୁଆ ସେମେ) ସହ ସମ୍ବନ୍ଧିତ କରାଯାଇ ଥାଏ ।<ref name="fujyoshi glossary"/>|group=ବି.ଦ୍ର.}} କିମ୍ବା ଉଭୟ ନିଜର ଯୌନ ଭୂମିକା ବଦଳି ଦିଅନ୍ତି ।<ref>Manry, Gia. (16 April 2008) [http://www.escapistmagazine.com/articles/view/issues/issue_145/4629-It-s-A-Yaoi-Thing It's A Yaoi Thing: Boys Who Love Boys and the Women Who Love Them] {{Webarchive|url=https://web.archive.org/web/20080709014147/http://www.escapistmagazine.com/articles/view/issues/issue_145/4629-It-s-A-Yaoi-Thing |date=9 July 2008 }} ''The Escapist''</ref> ରିବା (リバ), ଇଂରାଜୀ ଶବ୍ଦ ''ରିଭର୍ସିବଲ୍ (reversible)''-ର ସଂକ୍ଷିପ୍ତୀକୃତ ରୂପ, ସେହି ୟାଓଇ ଯୋଡା ପାଇଁ ବ୍ଯବହାର କରାଯାଏ ଯେଉଁଥିରେ ଉଭୟ ସଦସ୍ଯ ନିଜ ଭୂମିକା ବଦଳି ଦେଲେ ମଧ୍ଯ ସମ୍ବନ୍ଧଟି ପ୍ରାକୃତିକ ଲାଗେ ।<ref name="fujyoshi glossary">{{cite web|url=http://fujyoshi.jp/fujyoshi_kouza0 |title=fujyoshi.jp |url-status=dead |archiveurl=https://web.archive.org/web/20080805194536/http://fujyoshi.jp/fujyoshi_kouza0 |archivedate=5 August 2008 |df=dmy-all }}</ref> ଆଉ କେତେକ ସ୍ଥଳରେ ଲେଖକ ଉଭୟ ସେମେ ଓ ଉକେକୁ ସମତୁଲ୍ୟ ସୌନ୍ଦର୍ଯ୍ୟର ଅଧିକାରୀ ଭାବେ ଚିତ୍ରଣ କରିଥାନ୍ତି । ଏହି ପରିସ୍ଥିତିରେ ଉଭୟଙ୍କ ମଧ୍ଯରୁ ଯିଏ ସାଧାରଣରେ ପ୍ରଭାବୀ ଥାଏ, ସେ କାମୋନ୍ମାଦ ବେଳେ ଉଦାସୀନ ଭୂମିକା ଗ୍ରହଣ କରେ ।<ref name="Suzuki 253"/>
===ସଙ୍କୁଚିତ ନାରୀ ଚରିତ୍ର===
ୟାଓଇରେ ନାରୀ ଚରିତ୍ରଗୁଡ଼ିକର ଅତି ନ୍ଯୁନ
Female characters often have minor roles in ''yaoi'', or are absent altogether.<ref name=Akibayaoi/><ref name="Fletcher 2002"/> Suzuki notes that mothers in particular are often portrayed in a negative light; she suggests this is because the character and reader alike are seeking to substitute the absence of unconditional maternal love with the "forbidden" all-consuming love presented in ''yaoi''.{{sfn|Suzuki|1999|p=259–260}} In ''yaoi'' {{lang|ja-Latn|dōjinshi}} parodies based on existing works that include female characters, the female's role is typically either minimized or the character is killed off.<ref name="Fletcher 2002"/><ref>Drazen, Patrick (October 2002). '"A Very Pure Thing": Gay and Pseudo-Gay Themes' in ''[[Anime Explosion! The What, Why & Wow of Japanese Animation]]'' Berkeley, California: Stone Bridge Press p. 95 {{ISBN|1-880656-72-8}}. "The five pilots of ''Gundam Wing'' (1995) have female counterparts, yet a lot of [[Fansite|fan sites]] are produced as if these girls never existed."</ref> [[Yukari Fujimoto]] noted that when ''shōnen'' manga is used as inspiration for ''yaoi'', that "it seems that ''yaoi'' readings and likeable female characters are mutually exclusive."<ref>{{cite book|last1=Fujimoto|first1=Yukari|editor1-last=Berndt|editor1-first=Jaqueline|editor2-last=Kümmerling-Meibauer|editor2-first=Bettina|title=Manga's cultural crossroads|date=2013|publisher=Taylor and Francis|location=Hoboken|isbn=978-1134102839|page=184}}</ref> [[Nariko Enomoto]], a ''yaoi'' author, argues that women are typically not depicted in ''yaoi'' as their presence adds an element of [[realism (arts)|realism]] that distracts from the fantasy narrative.<ref name="OtakuSexuality">{{cite journal |last1=Tamaki |first1=Saitō |editor1-last=Bolton |editor1-first=Christopher |editor2-last=Csicsery-Ronay |editor2-first=Istvan Jr. |editor3-last=Tatsumi |editor3-first=Takayuki |editor3-link=Takayuki Tatsumi |title=Otaku Sexuality |journal=Robot Ghosts and Wired Dreams |date=2007 |page=231 |publisher=[[University of Minnesota Press]] |isbn=978-0-8166-4974-7}}</ref>
==ଆଧାର==
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